職名 特任教授
専門分野 文化経営学専門分野
研究室 文化資源学研究室
詳細情報 詳細情報【PDF： 409KB】

主な研究テーマは日本の古典文化におけるジェンダーと権力の関わり、東日本大震災での福島は文化においてどのように表現されたのか、日本演劇ではどのように現代社会を描いているのか、そして日本における地方演劇と芸術祭についてである。

geilhorn（ad）l.u-tokyo.ac.jp　　　　　（ad）は＠に変えてお送りください


Barbara Geilhorn is a professor of Cultural Resource Studies at the University of Tokyo and an adjunct researcher at the Tsubouchi Memorial Theatre Museum, Waseda University. Her research interests focus on negotiations of gender and power in classical Japanese culture, cultural representations of the Fukushima disaster, stagings of contemporary society in Japanese performance, and regional theatre and arts festivals. Before joining the Graduate School of Humanities and Sociology, Barbara was a principal researcher at the German Institute for Japanese Studies Tokyo and held positions at universities in Germany and the UK.
 

Publications include: 

Books

  • 2023       (with Linda Flores, eds): Literature After Fukushima. From Marginalized Voices to Nuclear Futurity. Routledge.
  • 2021       (with Peter Eckersall, Andreas Regelsberger, and Cody Poulton, eds): Okada Toshiki & Japanese Theatre. Aberystwyth, UK: Performance Research Books.
  • 2017       (with Kristina Iwata-Weickgenannt, eds): ‘Fukushima’ and the Arts – Negotiating Disaster. Routledge.
  • 2012       (with Eike Grossmann, eds): Enacting Culture – Japanese Theater in Historical and Modern Contexts. Munich: iudicium.
  • 2011       Weibliche Spielräume – Frauen im japanischen Nō- und Kyōgen-Theater [Female Spaces – Women in Japanese Nō and Kyōgen Theatre]. Munich: iudicium.    
     

Peer Reviewed Journal Articles and Book Chapters

  • 2021       Towards a Culture of Responsibility – Relating Fukushima, Chernobyl, and the Atomic Bombings in Setoyama Misaki’s Theatre. Japan Forum. 33, 4: 497-521.
  • 2019       A Multifaceted Fukushima – Trauma and Memory in Ōnobu Pelican’s Kiruannya and U-ko. The Asia Pacific Journal Vol.17, Issue 1, No.1, January 19.
  • 2017       Local Theatre Responding to a Global Issue – 3/11 seen from Japan’s Periphery. Japan Review 31: 123-39.
  • 2017       Women in a Man’s World – Gender and Power in Japanese Noh Theatre. In: Madhavan, Arya (ed.): Women in Asian Performance – Aesthetics and Politics. Routledge,
  • 2017       Challenging Reality with Fiction – Imagining Alternative Readings of Japanese Society in Post-Fukushima Theatre. In: Geilhorn, Barbara and Iwata-Weickgenannt, Kristina (eds): ‘Fukushima’ and the Arts – Negotiating Disaster. Routledge, 162-176.
  • 2015       From Private zashiki to the Public Stage – Female Spaces in Early 20th Century Nō. Asian Theatre Journal 32.2: 440-63.