{"id":7105,"date":"2025-01-31T14:48:28","date_gmt":"2025-01-31T05:48:28","guid":{"rendered":"https:\/\/www.l.u-tokyo.ac.jp\/futsubun\/?post_type=ron&#038;p=7105"},"modified":"2026-03-26T16:04:33","modified_gmt":"2026-03-26T07:04:33","slug":"54%e5%8f%b7","status":"publish","type":"ron","link":"https:\/\/www.l.u-tokyo.ac.jp\/futsubun\/ron\/54%e5%8f%b7\/","title":{"rendered":"\u300e\u4ecf\u8a9e\u4ecf\u6587\u5b66\u7814\u7a76\u300f54\u53f7"},"content":{"rendered":"\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55038\">\u00a0Pr\u00e9sentation<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55039\">\u00a0Le support de la lumi\u00e8re : une th\u00e9orie virtuelle du cin\u00e9ma chez Val\u00e9ry<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55040\">\u00a0\u00c9clairage d\u2019un cin\u00e9-texte in\u00e9dit de Robert Desnos : Paul, trente ans, attend sa ma\u00eetresse (1925)<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55041\">\u00a0La po\u00e9tique du mapping vid\u00e9o verbal : le cas d\u2019Arcane 17 d\u2019Andr\u00e9 Breton<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55042\">\u00a0Chris Marker et le monde : un po\u00e8te-voyageur<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55043\">\u00a0Michel Leiris au miroir cin\u00e9matographique de la tauromachie<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55044\">\u00a0Henri Michaux : de Chaplin \u00e0 Plume et retour<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55045\">\u00a0Le cin\u00e9ma comme sagesse du peuple : le m\u00e9lange du r\u00e9el et de l\u2019imaginaire dans Loin de Rueil de Queneau<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55046\">\u00a0L\u2019\u00e9criture sc\u00e9naristique d\u2019Ilse Garnier : pour une po\u00e9tique du cin\u00e9-po\u00e8me spatialiste<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55047\">\u00a0Pour une histoire po\u00e9tique du cin\u00e9ma : Paris 1900 de Nicole Vedr\u00e8s<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55048\">\u00a0Pr\u00e9sentation des auteurs<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55049\">\u00a0Liste des abr\u00e9viations<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55050\">\u00a0Pr\u00e9sentation<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55051\">\u00a0La double m\u00e9tamorphose du corps chez l\u2019\u00e9crivain selon le cours de Merleau-Ponty au Coll\u00e8ge de France, 1953<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55052\">\u00a0L\u2019implexe comme cristallisation de l\u2019impossible : la lecture merleau-pontienne de Val\u00e9ry<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55053\">\u00a0L\u2019absence de La Jeune Parque dans les Recherches sur l\u2019usage litt\u00e9raire du langage de Merleau-Ponty<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55054\">\u00a0Du d\u00e9gagement \u00e0 l\u2019engagement : l\u2019\u00e9tranger et le \u00ab chiasma \u00bb<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/repository.dl.itc.u-tokyo.ac.jp\/records\/55055\">\u00a0Qu\u2019est-ce que \u00ab l\u2019usage litt\u00e9raire du langage \u00bb ? La parole \u00e0 l\u2019\u00e9tat naissant chez Val\u00e9ry et chez Merleau-Ponty<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","format":"standard","meta":{"vkexunit_cta_each_option":"","footnotes":""},"categories":[],"ronbun_cate":[77],"class_list":["post-7105","ron","type-ron","status-publish","format-standard","hentry","ronbun_cate-fr"],"_links":{"self":[{"href":"https:\/\/www.l.u-tokyo.ac.jp\/futsubun\/wp-json\/wp\/v2\/ron\/7105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.l.u-tokyo.ac.jp\/futsubun\/wp-json\/wp\/v2\/ron"}],"about":[{"href":"https:\/\/www.l.u-tokyo.ac.jp\/futsubun\/wp-json\/wp\/v2\/types\/ron"}],"author":[{"embeddable":true,"href":"https:\/\/www.l.u-tokyo.ac.jp\/futsubun\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.l.u-tokyo.ac.jp\/futsubun\/wp-json\/wp\/v2\/comments?post=7105"}],"version-history":[{"count":2,"href":"https:\/\/www.l.u-tokyo.ac.jp\/futsubun\/wp-json\/wp\/v2\/ron\/7105\/revisions"}],"predecessor-version":[{"id":7991,"href":"https:\/\/www.l.u-tokyo.ac.jp\/futsubun\/wp-json\/wp\/v2\/ron\/7105\/revisions\/7991"}],"wp:attachment":[{"href":"https:\/\/www.l.u-tokyo.ac.jp\/futsubun\/wp-json\/wp\/v2\/media?parent=7105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.l.u-tokyo.ac.jp\/futsubun\/wp-json\/wp\/v2\/categories?post=7105"},{"taxonomy":"ronbun_cate","embeddable":true,"href":"https:\/\/www.l.u-tokyo.ac.jp\/futsubun\/wp-json\/wp\/v2\/ronbun_cate?post=7105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}